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It discredited the idea that America was a sophisticated, culturally rich democracy.
It was the beach-head from which culture could be defended against the attacks of Moscow and its "fellow travellers" in the West.
And so one could quite adequately and accurately reason that anything they criticised that much and that heavy- handedly was worth support one way or another."To pursue its underground interest in America's lefty avant-garde, the CIA had to be sure its patronage could not be discovered.
"Matters of this sort could only have been done at two or three removes," Mr Jameson explained, "so that there wouldn't be any question of having to clear Jackson Pollock, for example, or do anything that would involve these people in the organisation.
Until now there has been no first-hand evidence to prove that this connection was made, but for the first time a former case officer, Donald Jameson, has broken the silence.
Yes, he says, the agency saw Abstract Expressionism as an opportunity, and yes, it ran with it."Regarding Abstract Expressionism, I'd love to be able to say that the CIA invented it just to see what happens in New York and downtown So Ho tomorrow! "But I think that what we did really was to recognise the difference.